Advent 2013: A Sense of Wonder

The days and nights of Advent are swiftly flying by, and Christmas approaches. As I reflect on the coming of desperately needed Light into our dark world — a coming represented by the countless incandescent bulbs that decorate rooms, porches, trees, rooftops, windows, businesses, and churches at this time of year — I am saddened by the departure this week of one great light from Earth: actor Peter O’Toole has passed away. He was my favorite actor of any land, of any age. Why? Was it because of his expressive face or his otherworldly aspect (the countenance of a ghost somehow very much still alive)? Or was it because of his voice that could make absolutely any written words sound like truth, like the most exquisite poetry? No — it really comes down to this:

Whatever role Mr. O’Toole played — even if it were the most complex, flawed character — he was playing the man I wanted to grow up to be. He made every character absolutely glorious and compelling. I wanted to be Henry II, King of England, clearly in love with life . . . Robinson Crusoe . . . the Roman general Flavius Silva. I wanted to be the wise holy man in Kipling’s Kim, who would not allow his young disciple to break a cobra’s back and slay a living thing . . . Mr. Chips, who was so much like my best professors . . . I wanted to be the Chinese Emperor’s tutor, who “would like to be” a gentleman and lived as one. I wanted to be T. E. Lawrence, crossing the desert at every possible excuse and drinking water only when the Bedouins drank and living a life that, despite the blazing sun and endless sand, was “going to be fun.” And oh, how I wanted to be Don Miguel de Cervantes, mounting those dungeon stairs to face his critics and condemners, serene in his assertions “I have no intention of burning” (at the stake) and “poets select from reality.” Like the Cervantes character, Peter O’Toole chose the world he lived in — or more specifically, he selected and shaped what he could to make it a much better place. And as King Henry responds to Queen Eleanor’s agreement that she hopes the two of them will never die: “Do you think there’s any chance of it?” Do you think there’s any chance that Mr. O’Toole will ever really die? No, Sir, he will not; for he was a storyteller and an actor of the highest order, and he made both those noble professions even nobler. He gave us better options to choose among in this world we inhabit.

Christmas tree 2013

Christmas tree 2013

There’s our Christmas tree for this year — our first. We can’t stop admiring it and marveling at how a simple, real tree strung with a host of lights and festooned with ornaments becomes so much more than the sum of the parts. Light and life, beauty and enchantment come into the living room and herald the coming of the Lord of Wonder. My goodness, these trees are the very jack-o’-lanterns of the Yuletide!

The piano in Advent. We're blessed with a lot of music-making in this season.

The piano in Advent. We’re blessed with a lot of music-making in this season.

I really wanted to talk a little about the sense of wonder that suffuses this time of year. Do you remember how it began? — what it felt like as a child, when all our being, all our desire was fixed upon those presents that we knew were on the way, though they took forever to arrive? Each day we would open another little window in one of the battered old Advent calendars from Germany, used year after year; and glimpses of the light of Heaven would spill out through those windows, warm and tantalizing. Each Sunday, another candle on the wreath was lit and burned in the center of the kitchen table during our dinners. I recall the shivery thrill of lying in the dark of my bedroom late on Christmas Eve, listening for the scrape of reindeer hooves on the roof, listening for the scuffling of bootsteps in the living room, or the crinkle of paper. Did you know that excitement, too? — the pulse-racing, stomach-jittery delight of picturing the Christmas tree out there in the benighted living room, and the “jolly old elf” piling presents beneath it, scrawling out his illegible thank-you notes in response to the milk and cookies left for him, stuffing the stocking full of candy and nuts and an orange and wax ampules of flavored sugar water . . . do you remember the ecstasy of receiving presents?

Gandalf and the Tolkien books guard the Christmas tree from the back.

Gandalf and the Tolkien books guard the Christmas tree from the back.

The sense of wonder . . . It changed for me over the years. I distinctly remember a threshold I crossed, a time when the allure of presents turned mostly to vapor. I remember lying in the dark of that same bedroom and realizing that the packages under the tree were not the rightful objects of all hopes. I lay there trying to recapture that thrill of what was appearing in the living room’s shadows and what was inside the pretty paper. But I knew those things wouldn’t make any real difference; they were fun, but they wouldn’t erase the challenges of life or bring lasting fulfillment. I didn’t despise them — I still looked forward to them. But I looked forward even more to spending the next day with family . . . to singing and playing my trombone in church . . . to letting a deeper wonder take the place of its earlier type. I know this sounds hokey to some, but I am reporting real experience here. Heh, heh!

 

Saint Nick -- one of Grandma's German ornaments

Saint Nick — one of Grandma’s German ornaments

This is the honest truth. The thrill of Christmas transferred itself from presents to people and to a joy that overflowed the walls of time and place. The comfort of an assured happy ending in eternity . . . the awareness that God had set me down in a specific time and place, with carefully selected people around me, the people I needed most — with, best of all, the freedom and peace of mind to be me, to imagine and enjoy stories! Yes, at some point in my late single digits or early teenage years, I figured out what Christmas was all about, Charlie Brown.

This golden sphere is, as far as I know, the last remaining ornament from our tree at The Book Center, which was a rotating cylinder covered in gold paper, the hooks that thrust out from it decorated with crusted golden and blue silk thread ball-ornaments.

This golden sphere is, as far as I know, the last remaining ornament from our tree at The Book Center, which was a rotating cylinder covered in gold paper, the hooks that thrust out from it decorated with crusted golden and blue silk thread ball-ornaments.

As I moved into the college years, I remember how that same visceral childhood thrill came back in the season between Thanksgiving and Christmas — but this time, over books and writing. I would often take Amtrak trains home for the holidays, my head full of the literature and poetry that Dr. Lettermann and others were getting me to read . . . and full of my own projects (it was The Threshold of Twilight in those days). The depths of Union Station became caverns outside the train’s windows as it glided among them. The woods and hills and fields, all in their wintry browns and grays, sang out in silent, ancient voices, calling me to pick up the pencil.

Gumball machine

Gumball machine

Much as I champion the summer, it is the autumn and winter landscapes of the Midwest that most remind me of my first encounters with The Lord of the Rings. I must have read a good deal of it in the colder seasons. I suppose it’s oddly appropriate: Tolkien’s great tale is so full of loss and sorrow, of a creation losing its leaves one by one, sinking into the cold and the dark, awaiting renewed light. LOTR, at its heart, is a tale of Advent.

One of the angels who sing. This one, I believe, is conducting. She faces outward from the tree, conducting us all . . .

One of the angels who sing. This one, I believe, is conducting. She faces outward from the tree, conducting us all . . .

To this day, when I see a wooded rise, perhaps with some stone showing through the earth, I dream of what lies beneath those trees, inside that hill — there, for me, are the stories.

A hand-painted Ukrainian Christmas ornament

A hand-painted Ukrainian Christmas ornament

And even our warm house in the country outside town, with its gentle, dark-paneled walls, its suit of armor beside the dining-room table, its curiosities and old paintings and endless, unfolding shadows filled with books, filled with laughter and love — that was wondrous and magical, too — a place for stories to be born. It’s just occurred to me: I grew up in a hobbit-hole!

"Glory to God in the highest, and on Earth peace to those on whom His favor rests!"

“Glory to God in the highest, and on Earth peace to those on whom His favor rests!”

Thanks be to God, Who gives us what we need! Praise to the Lord, the Comforter, the Giver of Rest! Thanks be to God, Who gives us gifts and shows us how to use them!

He knows how to give good gifts.

He knows how to give good gifts.

The creation does sing at this time of year. Can you hear it?

The wood used in this Nativity scene is from the barn of my childhood -- seriously! It's still with us. Let's finish this blog post at the manger in Bethlehem. That's the place to be. Let's leave our burdens and go in from the dark.

The wood used in this Nativity scene is from the barn of my childhood — seriously! It’s still with us. Let’s finish this blog post at the manger in Bethlehem. That’s the place to be. Let’s leave our burdens and go in from the dark.

 

Thoughts from Julie

A new post from me will be coming soon. But right now, we have a guest post from Julie! If anyone would like to know more about just what it is she’s researching, this is the entry to read!

We’re having a blessed and joyful Advent here — more about that soon. But for now, here’s Julie:

http://allmanack.blogspot.com/2013/12/a-postaka-worlds-crappiest-title.html

 

 

Book Tree

Advent is coming right up! Take a look at this photo:

Christmas tree made of books: I don't own the rights to this photo. Thanks are due to my college friend Cindy O. for finding it on-line. If it's yours and you object to my using it here, please just let me know, and I'll take it down. To whomever made this tree: thank you, and three cheers! This is a fantastic tree!

Christmas tree made of books: I don’t own the rights to this photo. Thanks are due to my college friend Cindy O. for finding it on-line. If it’s yours and you object to my using it here, please just let me know, and I’ll take it down. To whomever made this tree: thank you, and three cheers! This is a fantastic tree!

Isn’t this tree enchanting? Some of us were having fun on Facebook thinking up comments. I invite all readers of this blog to join in here. We were being funny, but serious comments are also most welcome. These were some of my best thoughts:

1. How many stories tall is that tree, anyway?

2. We tried to reserve such a tree for our house this holiday season, too, but they were all booked!

3. There’s so much grammar represented in this tree that it’s Santa Clause who leaves presents under it. (And in the present tense, at that!)

4. Anybody feel like bookmarking this?

5. Instead of needles, this tree has spines.

6. Some of the works in this tree are from medieval scribes, and when you string lights on it, those writings become illuminated manuscripts.

7. One of these trees collapsed one time, and there was a title wave.

8. Another holiday hazard: such a tree, if left unattended, can lead to a Kindle Fire.

All comments welcome — Ho, ho, ho!

I've just been wanting to post this for awhile -- this, and the next one. November, 2013.

I’ve just been wanting to post this for awhile — this, and the next one. November, 2013.

Can anyone identify the following location? Enjoying November here — hard at work on the revisions of Signs and Shadows!

November, 2013

November, 2013

 

 

 

Hallowe’en Mishmash

Here we are, on the very doorstep of Hallowe’en! The hills of western Pennsylvania are gorgeous these days. Driving into town this afternoon, I felt I was in Lothlorien, all the slopes around me aglow in yellow. What a strange fall it’s been, huh? The leaves took their time about beginning to change, as if they were hanging onto summer. Anyway, we had a very fine jack-o’-lantern carving party the other night:

October 26, 2013

October 26, 2013

I’ve been reading October Dreams again, that greatest of all Hallowe’en anthologies — that’s the one I’ve so often written about — the one that contains not only stories but Hallowe’en memories by the various authors. The stories are generally superb, but the memories are what sets this book apart from others of its kind. This is a holiday about memories and nostalgia, and this book delivers!

Shelley's creation seems to be demanding to know who drank all the coffee.

Shelley’s creation seems to be demanding to know who drank all the coffee.

Synchronicity surrounds October Dreams this year. Back at the beginning of the month, my friend Nick in the Midwest went to his bookshelf and pulled the book out for reading this month. Nick is reading it little by little, year by year; each October, he savors a few more of the stories and the memories. With the book in his hand, he went to his computer, and there he found e-mail from me saying, “It’s time to get October Dreams out again, huh?” But it gets better. Last night I re-read (from that book) the story “Boo,” by Richard Laymon, which I still contend is the best short story ever written in the English language. I seriously do not know another one that has it all in the way this story does. So I re-read it late last night, when the house was dark and quiet — a wonderful experience. Today I sent e-mail to Nick extolling some of the virtues of that story — I assumed he’d read it long ago. But no: he’d read it for the very first time just a few days ago! So my comments were perfectly timed.

Ryan's pumpkin, on the other hand, fully intends to destroy and devour all humankind. This jack-o'-lantern is not our friend.

Ryan’s pumpkin, on the other hand, fully intends to destroy and devour all humankind. This jack-o’-lantern is not our friend.

Anyway, I commend to you again October Dreams, edited by Richard Chizmar and Robert Morrish . . . and in particular the story “Boo,” by Richard Laymon.

My own jack-o'-lantern is the Spirit of Hallowe'en, with his merry eyes and wide grin. My wife describes this face as belonging to a wild, jolly, silly, dangerous, friendly, insane, companionable arsonist who may set your house on fire. I think this one drank all the coffee.

My own jack-o’-lantern is the Spirit of Hallowe’en, with his merry eyes and wide grin. My wife describes this face as belonging to a wild, jolly, silly, dangerous, friendly, insane, companionable arsonist who may set your house on fire. I think this one drank all the coffee. This is also the largest pumpkin I’ve ever carved. Even hollowed out, he weighs a ton.

Speaking of Nick, you don’t want to miss his latest post on the BLACK GATE web site! It’s an ideal read for this Hallowe’en week, all about (among other things) spook houses and why they appeal to (some of) us. Here it is:

The Weird of Oz Wishes You a Happily Horrifying Hallowe’en

(Notice that Nick is with me in spelling “Hallowe’en” the right way. Let’s remember that elided “v” — and the “even”/”evening” before All Saints Day.)

Things that go bump in the night

Things that go bump in the night

On the subject of spook houses: I’ve always loved them. In my hometown when I was a kid, a local service club would put one on each year — an elaborate affair in one of the old buildings near or on the Square, with lighting and sound effects, gruesome mannequins, strange surfaces underfoot in the darkness, and costumed actors leaping out at you in lurid flashes. I would always get my dad to take me.

October 26, 2013

October 26, 2013

At the county fair in the summer, it fascinated me that spook houses could be contained in a trailer and hauled from town to town. Those delighted me, too, though sometimes their spookiness was mixed with elements of perspective disorientation and general weirdness — upside-down rooms, halls of mirrors and of transparent plastic, slanted floors, and tunnels that rolled like barrels.

Don’t you think there should be Hallowe’en fairs in October, similar to county fairs in July? The carnival people could all come back and set up again, with games built upon eeriness and oddity . . . with sideshows, enhanced funhouses, and scary rides! It could still be an agricultural fair — autumn is harvest season! There could be prize-winning apples, pumpkins, jam, and pies in the exhibition building. Why don’t they do that? They’d make a killing. Well, I mean, a fortune!

This is cool: we have the ideal setup for enjoying jack-o'-lanterns. They inhabit a table outside the window, out in the dark and the cold that they prefer; but they peer in at us with their flickering eyes, which they also love to do.

This is cool: we have the ideal setup for enjoying jack-o’-lanterns. They inhabit a table outside the window, out in the dark and the cold that they prefer; but they peer in at us with their flickering eyes, which they also love to do.

An intriguing discovery we made this year was the album Black Rider, by Tom Waits. It’s strange, but it’s ideal music for this holiday, especially as background for a Hallowe’en party . . . or just for atmosphere, for music to admire jack-o’-lanterns by. Julie made us a fantastic playlist including this one and some appropriate selections from Saint-Saens, Berlioz, and Mussorgsky. (I have to give a credit here to Michael Mayhew and Joshua Mertz in the book Harvest Tales & Midnight Revels: Stories for the Waning of the Year, who pointed us to some of this music, and who offer not only a bookload of great tales, but also suggestions on how to throw a Hallowe’en story party — which they did; which, over a ten-year period, resulted in the stories that compose their book.)

I had a challenging task this past week: portraying our Lord as a part of our church's entry in the local Hallowe'en Parade. All frivolity aside, it was a humbling and pretty scary experience -- to be representing Him before the eyes of the whole town! What do you do with your face? How do you move? I tried to look tranquil, joyful, warm, and inviting; I tried to get my expression to glow with wonder, to make as much eye contact as I could with individuals in the crowd, and to reach out as if urging them to come with me. It was a new experience: a Hallowe'en costume that scared ME a little. But it was good -- a reminder to me that that's what we Christians are called to do all the time. We put on His garments; we wear His face, walk on His feet, and use His hands as we go into the world. Yes, there is Gospel in October, and I was Jesus for Hallowe'en.

I had a challenging task this past week: portraying our Lord as a part of our church’s entry in the local Hallowe’en Parade. All frivolity aside, it was a humbling and pretty scary experience — to be representing Him before the eyes of the whole town! What do you do with your face? How do you move? I tried to look tranquil, joyful, warm, and inviting; I tried to get my expression to glow with wonder, to make as much eye contact as I could with individuals in the crowd, and to reach out as if urging them to come with me. It was a new experience: a Hallowe’en costume that scared ME a little. But it was good — a reminder to me that that’s what we Christians are called to do all the time. We put on His garments; we wear His face, walk on His feet, and use His hands as we go into the world. Yes, there is Gospel in October, and I was Jesus for Hallowe’en.

Well, we’re winding down for the night here. The jack-o’-lanterns outside the window have gone dark — but they’re there beyond the curtain, biding their time.

In that post on the BLACK GATE site, Nick’s post, which I do very much urge you to read if you like this time of year, Nick talks about how the sound of dripping water, recorded on an album of spooky noises, scared him as a kid more than any other sound on the record, even though many of them were more overtly threatening.

And that reminds me of a memory from Japan. Yes, the power of sound to frighten . . . A close friend there told me of a dripping faucet in the depths of an old city house where she lived as a child. It was a long building, its parts constructed at different times, so there was a ways to go from her bedroom to the bathroom. And when she was small, that dripping faucet made the trip so scary that she would avoid it for as long as she possibly could. For the droplets of water, you see, had voices, tiny voices that spoke in the dark. My friend and her sister couldn’t agree on just what the voices said, but these were the words they each heard (I can’t remember which girl held which theory, so I’ll just call them A and B):

A: Sabishii yo! Kowai yo! (I’m lonely! I’m scared!)

B: Itai  yo! Iyada yo! (It hurts! No!)

[The Japanese iyada is hard to translate. I’ve rendered it as “No!” It’s what people — and very often children — say when they object to something, when something scares them or is otherwise extremely disagreeable. It’s emotionally charged, often said in combination with a physical shrinking away.]

So you can imagine how hard it was for those little girls to descend the stairs, to tiptoe along the cold floorboards of the lower hall to the bathroom while the small voices echoed somewhere far off in the dark yet not so far off, calling out those words.

 

Remember these fellows, from the early days of this blog? I thought you'd like to see them again. I met them on my first visit to Pittsburgh, on the top floor of the Cathedral of Learning. Perhaps they are making a commentary on the sum of man's learning; it is the wrong thing to dedicate a cathedral to.

Remember these fellows, from the early days of this blog? I thought you’d like to see them again. I met them on my first visit to Pittsburgh, on the top floor of the Cathedral of Learning. Perhaps they are making a commentary on the sum of man’s learning; it is the wrong thing to dedicate a cathedral to.

Happy Hallowe’en 2013!

 

Fear and Wonder

It’s a night of the almost-full moon; and what’s more, reportedly there was a penumbral lunar eclipse earlier this evening. We spent a good deal of time in the backyard, enjoying a good autumnal bonfire of pine logs — also roasted hot dogs — and the moon was shining brilliant and white through the trees.

Before dark this evening, I took this picture of the fire ring I built using the bricks from my old bookshelves. Yes, these building-blocks of Old Pittsburgh have now made their way northwestward!

Before dark this evening, I took this picture of the fire ring I built using the bricks from my old bookshelves. Yes, these building-blocks of Old Pittsburgh have now made their way northwestward!

I’m jumping backward in time here to last weekend, when I started this post. That’s when I wrote the following:

Whew! You’ll never guess what I’ve been doing! I’ve just spent the past eight hours organizing my files. I’m not exactly done yet, but I’m taking a break, because I also wanted to write a post. You see, my wife is away at a church ladies’ retreat overnight, so it’s the perfect evening to have papers scattered and stacked all over the floor, and I don’t just mean in the Man Cave (our name for the room that is now my office — an ironic name, since it isn’t what most people would consider a “man cave.” Mine has a lot of desk space, office equipment, rustic bookshelves, and weird art. I’ll take a picture when it’s presentable). We got me a new, cheap, very used five-drawer file cabinet a few months back at Construction Junction — yes, the same dear store from which came the bricks and the boards that constituted my bookshelves at the old place! The cabinet has been hulking empty in the Man Cave since then. I finally am putting it to use. That’s a lot of kneeling, sorting, and getting up and down off the floor. I repeat: Whew!

October 18, 2013

October 18, 2013

Anyway, it’s October, and I was having a thought-provoking discussion with Nick (friend of this blog) about the traditional iconic monsters of Hallowe’en (the vampire, werewolf, Frankenstein’s monster, mummy, witch, ghost, and zombie) and what it is that scares us about each one. Between us, we came up with some fascinating theories (if I do say so myself!). I won’t steal his thunder here. Head on over to the Black Gate website for some delightful Hallowe’en fun! I’ll just say here that Nick has a fascinating prediction as to what monster is going to take the center of the pop culture stage as the zombie, a bit overripe, shuffles out of the spotlight. It may surprise you; but chances are, you’ve been creeped out by it at one time or another. Here’s the link: http://www.blackgate.com/2013/10/07/the-horror-oz-meets-the-scarecrow/

But here’s the point I wanted to address. In studying speculative fiction, one frequently encounters this quote from Lovecraft:

“The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.” — H. P. Lovecraft, Supernatural Horror in Literature

Now, you know I’m a dyed-in-the-wool Lovecraft fan. There’s no doubt in my mind that he was the greatest horror writer of the 20th century, even as Poe was the greatest of the 19th. But try as I might, I can’t quite agree with that quote. Babies are practically born screaming, true — but they’re screaming in discomfort, not fear. And yes, I’ll always be proud and delighted that the oldest, the very first story we have in any form of English is Beowulf, a monster story — it’s one of ours. And it’s literature. And it’s ours. Monsters. Warm glow.

But it seems apparent to me that fear is no older and no stronger than wonder. They’re two sides of the same coin.

Having served in the foundations of the Uncanny City, these bricks now circle the fires in our humble backyard, where we are still, as Paul Darcy Boles said, "All storytellers sitting around the cave of the world."

Having served in the foundations of the Uncanny City, these bricks now circle the fires in our humble backyard, where we are still, as Paul Darcy Boles said, “All storytellers sitting around the cave of the world.”

Babies are born observing and absorbing. (And secreting and spewing, too — they do plenty of that.) Everything is new to them, and most things are amazing. As we gather around the fires in our caves, yes — our tales are inspired by the terror of the dangers around us, real and imagined. But they’re equally inspired by awe and fascination. “Tell us, traveler, of what you’ve seen. Was it terrible? Was it grand?”

Look at the fairy tales, which are the surest monitors: they feature dragons and witches and monsters . . . and they include glass mountains, magic lamps, and kingdoms in the sky. Wonder and terror.

At our wedding reception, we were highly amused by a glimpse of two very small girls on the dance floor, one from Julie’s side of the greater family and one from mine. “E” had “A” in a headlock and was gleefully dragging her around. “A” wore an expression that was the truest blend of happy excitement and mortal fear. She had come face-to-face with a person her own size who was full of fun, who was utterly original, and who might do absolutely anything. “A”‘s world had suddenly shifted and gotten bigger in that magical night of family, friends, joy, and music.

Tonight's fire

Tonight’s fire

My wife talks of my “theology of October.” If the vampire recoils from a crucifix, then the story declares that the demon fears the resurrected Lord, Who has power over evil. Amid the darkness, the Light shines all the brighter. We need the Light because we live in the vale of shadow, where the jack-o’-lantern’s infernal eyes glow. I can enjoy tales of the creepiest and most cosmic horror, because I feel completely safe. I know that beyond the chaos and sometimes unspeakable and inexplicable pain of this world, the ending is happy. I know that my Redeemer lives. “We shall not all sleep,” Scripture says, “but we shall all be changed; in an instant–in the twinkling of an eye, at the last trumpet . . . and the dead shall be raised incorruptible.”

Isn’t Hallowe’en all about change? This is the threshold season. The sun crosses the line; the shadows arrive; the trees put on their golden, blazing finery and then disrobe for sleep. In this season, we turn back to the fire. We come in from outdoors. Smooth pumpkins become faces — they become heads, glowing in the night, baleful, gleeful, wicked, clownish, merry. Dry leaves become instruments, rattling in the dark where bandogs howl. On All Hallows Eve, we transform. Children become beings fanciful and strange.

I’m going to quote from my story “The Bone Man” here (Fantasy & Science Fiction, December 2007):

“Half a block from the V.F.W., he was already among the costumed participants of the parade, who milled around adjusting each other’s wings or cloaks or headgear, receiving numbers for the judging, holding muffled conversation through their masks. As in the photos, the costumes were mostly good, some astoundingly so. Modern movie characters mingled with the old traditionals, the creative originals, the truly bizarre. There were vampires with flour-white faces and red lips, a mummy bound head to foot with toilet paper, and probably close to a hundred witches of all sizes. There was a wolf-man who looked more like a dog-man, fur spilling out through the tatters of his clothes. Clowns and fairies sashayed and floated. A woman in a rubber crone mask clung to the arm of an old-fashioned policeman; Conlin speculated on whether their pairing was supposed to mean something. He saw a hunchback, a pirate, a samurai . . . an ordinary-looking gentleman who walked deftly on three legs . . . a tall thing with red-flashing eyes and the wings of a gigantic moth. Twice, bobbing through the crowd, he glimpsed a kid made up to look like a hideous dwarf. Or maybe an ugly dwarf only lightly made up.”

And one more quote — this is the Invocation from Book I of Ovid’s The Metamorphoses:

“Now I shall tell of things that change, new being / Out of old: since you, O Gods, created / Mutable arts and gifts, give me the voice / To tell the shifting story of the world / From its beginning to the present hour.”

Ovid knew. The story of the world is the story of change, new springing out of the old. “The road goes ever on and on, / Down from the door where it began.” Tolkien sang it. Richard Adams told it: “The primroses were over.” We must make journeys; we must find new homes. We must reach new heights, for there is no going back, and the light is waning.

But this October, this Hallowe’en, acknowledges the wonder of it all, the glow at the heart of mystery. I’ll close off with the memory of one year’s Hallowe’en costume, and I invite you, readers, to tell your stories again. Tell us about your favorites — the time you dressed up and/or went trick-or-treating, and it worked the best and stays in your memory all these years later. (Jedibabe, if you’ll tell your funniest of all stories again, I’d be extremely grateful! You know the one I mean — enough blog years have passed now that it will be new to many, and a welcome retelling for the rest of us!) Tell us about your frightening, your original, your funny, your greatest triumph of transformation — or your dumbest failure. Tell us about pranks, nostalgia, memory — about dressing up for Hallowe’en!

Here’s my memory:

I had a really cool, full-head gorilla mask that my dad had ordered for me from a magazine, probably Famous Monsters of Filmland. But what can you do with only a mask? My mom knew what to do: she walked me the few blocks from our bookstore to the Goodwill, where in short order we found a long, black, fake-fur coat the exact hue and texture of the hair on the mask. A few coins paid . . . an evening of snipping and stitching, and voila! I had a full-body gorilla suit with arms and legs, completed by furry black mittens of Mom’s.

How fantastic our Hallowe’en Parade in my hometown used to be! Maybe my idealized memories of childhood are augmenting it, but I recall that it had something like a hundred entrants, both individuals and groups, and even floats pulled behind trucks and tractors. The best moment with my gorilla suit was when I made my grand entrance to the pre-Parade lineup. I had my parents park a block or two away and unleash me out of the car. As a gorilla, I shambled my way to where all the other participants were milling about, getting their numbers to wear for the judging. I came around the corner by Memorial School (you’ve seen it as Barad-dur in Tolkien’s cover for The Return of the King) . . . I walked north toward the post office, into the crowds. When I appeared under the pale glow of the first streetlight, there were some satisfying wide-eyed glances. There was a gasp or two, a nudge, a whisper. I don’t think it’s just the embellishment of memory — I think some people actually shrank away from me. Because you see, I wasn’t a six-year-old kid in a costume. I was a gorilla. I was King Kong, lurching out of a black October night.

It’s a great holiday. Please, friends of the blog, tell us your stories! Any Hallowe’en story is fair game, but “costumes” is a good theme to work with. Happy October!

More Bookstore Nostalgia

There’s actually a lot of unfinished business when it comes to memories of my family’s old bookstore. (For Part 1, please refer to my posting two back from this one, titled “The Back Room.”) I haven’t told you my memories of the front room, which made up most of The Book Center’s space. That’s where we kept all the customers — and the books. I won’t arrange it spatially this time; I’m just going to tell you a bunch of impressions willy-nilly. It is, after all, October, a time when things fly wildly and madly about.

This year's first jack-o'-lantern, which I carved on the night of September 13, 2013 -- a Friday the 13th, by the way -- for the BookFest the next day. To my knowledge, I have never carved a jack this early in the season.

This year’s first jack-o’-lantern, which I carved on the night of September 13, 2013 — a Friday the 13th, by the way — for the BookFest the next day. To my knowledge, I have never carved a jack this early in the season.

And that’s just got me to thinking: memories are like autumn leaves, aren’t they? They’re things that have had their life before — things that have played out. The living juice is gone from them; they’re so easily lost, blown away on the gale, trodden underfoot, forgotten — so brittle — so soon they can lose their shapes. Yet they are also loose from their moorings. They no longer grow in that one place, in order, like they were lived through. Now they are free to scatter and overlap and arrange themselves as they will. A memory from the tree’s crown may lie half-beneath, serving as the border for, a memory from the middle, from the bottom. And the leaves are far more beautiful now than when they were alive, for the green worry and business have gone out of them; now they are crimson and golden and orange and amber, made perfect with their victory and their completion. Now they are part of the great carpet upon which we live, reordered anew as we perceive them from our current vantage. When we scuffle our feet, we never know what may turn up, sudden and vibrant, perhaps to inform us. We spend our days upon a tapestry of treasures. And now, together with the multitude of their fellows, they become that “leaf-mould of the mind,” as Tolkien put it, that rich bed from which stories grow “like a seed in the dark.” From that seed our lives sprout and flourish — the autumnal glory of the people we have become, souls of experience and wisdom and compassion, souls of loyalty and eagerness and wonder.

Our campfire, September 20, 2013

Our campfire, September 20, 2013

October is a good month. It’s one of the best, isn’t it? It’s the only possible month that could comfort us as Summer departs. God knew what He was doing.

Another look at the jack-o'-lantern. After the BookFest, this jack served at a bonfire in our backyard. We had friends over, and a few days later, their very young daughter was reminiscing about the experience with her mom. "We had a fire at Fred and Julie's," the wee one said. "There was a monkey there who made Fred and Julie sad." Now, isn't that eerie? My theory is that she was talking about this jack-o'-lantern. At least, I hope so. I hope there was no worse "monkey" that we adults couldn't see . . .

Another look at the jack-o’-lantern. After the BookFest, this jack served at a bonfire in our backyard. We had friends over, and a few days later, their very young daughter was reminiscing about the experience with her mom. “We had a fire at Fred and Julie’s,” the wee one said. “There was a monkey there who made Fred and Julie sad.” Now, isn’t that eerie? My theory is that she was talking about this jack-o’-lantern. At least, I hope so. I hope there was no worse “monkey” that we adults couldn’t see . . .

The Book Center . . . I remember first seeing The Lord of the Rings there — the Ballantine paperbacks with the covers drawn and painted by Tolkien himself. They were not used books, but not particularly new; although LOTR sold well perennially, and we reordered it regularly, I don’t think they’d been printed recently. They had an aging-book smell to them which I can’t describe, but which I’m sure I’d always recognize with a cry of delight if the scent were waved beneath my nose. No other books smelled quite like them, and it was that edition I read first. I associate that scent and that experience with autumn — or at least with colder months — and somehow with a long car trip. I think I may be remembering how the light looks in the cover images of The Two Towers and The Return of the King (and I’ve always thought that Barad-dur on that cover looks very much like Memorial Elementary School, where I attended kindergarten — you know, that drawing Tolkien did of Memorial School, with Mt. Doom far-off in the background). I must have read the books at least partly during an autumn, holed up in warmth, on car trips, in the back room of the store, at home. Remember, I was coming off post-Watership Down depression, when I’d thought I’d never find another book in the world that could measure up. So I was discovering this magnificent odyssey, this multi-layered world Tolkien had sub-created, the Misty Mountains and the Dwarves and the Mines of Moria . . . things ancient and strange and sad and wondrous . . .

[Aside: Just tonight we were watching an episode of Downton Abbey, and Lord Grantham said to Bates, “Will you walk with me through the vale of shadow?” Julie and I just looked at each other with wondering smiles. Only moments before, I had commented on how, when WWI starts, the music on the show begins sounding a lot more like the soundtrack of LOTR, all deep and powerful and sad. I guess all great stories eventually start sounding like LOTR.]

But backing up . . . before I read LOTR, as the covers of those books were beginning to intrigue me, I remember asking my dad what these books were about. “Oh,” he said (not having read them himself), “It’s a great story. Tolkien was German, a professor. It’s a grand saga about a ring, and full of monsters and adventures. Everyone wants the ring.”

Wow, I thought. That was recommendation enough for me. A short while later in life, I realized Dad had had this ring confused with Wagner’s. Or Siegfried’s. Or whatever. But he was close enough. Tolkien may have been English, not German, but his story was still the stuff of operas, still rife with dragons and forgotten stairs and all those enchanted elements. And yes, everyone wanted the ring.

Camping at Ohiopyle, September 20, 2013. See, we got this wonderful tent, plus camping chairs, sleeping bags, and a cooler as wedding presents. Plus a very cool camping lantern and anti-mosquito bracelets! We had to use it all before cold weather set in . . .

Camping at Ohiopyle, September 20, 2013. See, we got this wonderful tent, plus camping chairs, sleeping bags, and a cooler as wedding presents. Plus a very cool camping lantern and ice packs and anti-mosquito bracelets! We had to use it all before cold weather set in . . .

But it wasn’t the book-covers and Dad’s description alone that drew me to LOTR. There was also a fascinating poster on display in the store’s front window. It was extremely stylized — not a realistic rendition at all, but a spiky, spidery, flame-riddled abstraction in red, purple, and black of jagged mountains and Black Riders and webs and . . . actually, I don’t remember much more of the content than that. Trees, maybe. But it was a promotional poster for LOTR. For this kid, it worked.

Camping at Ohiopyle

Camping at Ohiopyle

My dad at his post was the real heart of The Book Center. Dad was soft-spoken and didn’t like crowds, but one-on-one, he was the most genial and hospitable soul I’ve known. In addition to his high stool behind the counter, there was a second chair — placed there, I suppose, with the intention that my mom or some other assistant might occupy it. But it was nearly always filled by some customer. As with small-town barbershops, there were many Taylorvillians who came in regularly just to shoot the breeze with Dad. He would gladly listen and talk about most anything: local history, politics, books, the weather, the meaning of life . . . if you came in to discuss the paranormal, you were guaranteed a seat for as long as you wanted it.

Carrying water

Carrying water

I recall a particular adventure I had in “helping to man the cash register” at an early age. I wanted to help. Dad agreed to let me. So a customer brought up some books to buy. I carefully punched the prices in on the old-fashioned register — big round metal keys, forced down by brute strength, and then a handle cranked round and round till the cash drawer opened with a diinnggg! The total of the books came to, we’ll say, $3.79. (Yes, in those days, you could buy three or four books for that price, if you chose well.) I very carefully bagged the books, counted out $3.79 from the drawer with my finest math skills, and handed the cash and the books to the delighted customer. Yes, siree, it was no wonder we were the most popular bookstore in town!

Working on the fire

Another time I was helpful was during the Christmas season one year. It was a glorious time — Mom would string plastic holly all the way around the store, atop the book racks, along the walls — holly circumnavigating everything. We launched a campaign called, “It Isn’t Christmas Without a Book.” True enough, isn’t it? Even today, though I’m given the riches of Solomon for Christmas, if I don’t receive at least one book under the tree, I’ll go off and sniff and console myself with the knowledge that at least the Lord of Heaven was born in Bethlehem to bring me eternal life, to die in my place for my sins, to enable me to do all things, to give me abundant life and joy and blessings. At least I’ve got that! Then someone will remember the oversight, give me a book, and I will truly have it all.

So we had a big, flashing electric sign that proclaimed, “IT ISN’T CHRISTMAS WITHOUT A BOOK!” And I thought, Hey! — Why not put me, an all-American boy, in the store window, reading a book? I loved being in those windows. They weren’t just windows — they were stages of polished wood — almost like entire rooms to the right and left of the entranceway. You climbed up into them, off the main floor of the store, and you could set up all sorts of things. The Tolkien poster was on the back wall of one such. Here was a chance for me to sit . . . and read . . . and read . . . and be helping, all at the same time! My parents agreed, and so there I sat. I don’t remember now what book I was reading, but I read a lot of it.

I recall some customers commenting on how cute that was: women, I believe, standing outside the glass in the brisk December air, bundled in their coats, browsing the jolly books my parents had on display, standing on end, all around me. How cute, the realistic mannequin of the little boy reading a book!

Except I wasn’t a mannequin. I looked up at them. I probably grinned; that’s what I do. They shrieked and jumped. They laughed and chattered, proclaiming their fright to each other, as theater audiences in Jaws used to do after the jump-and-scream scenes, glad to be alive and scared. A little bit of Hallowe’en in Christmas. It isn’t Christmas, you know, without a book.

The Ukrainian shashlikh Julie cooked for us (fantastic!) -- chicken and vegetables

The Ukrainian shashlikh Julie cooked for us (fantastic!) — chicken and vegetables

I remember a rat. Our store was in an old building in the downtown of our community. Dad bought a super-sized candy bar from some kids’ organization that was selling them to raise funds. The thing probably weighed a full pound. He left it, still unopened, under the counter one night at closing. The next day, he couldn’t find it. Eventually I discovered it. It lay with the wrapper shredded, halfway down the basement stairs. The chocolate bore distinct incisor-marks. I learned then that rats are strong and determined, and they will take what doesn’t belong to them.

We had a great time at this fire. My wife read aloud to me some chapters from a book about people and life.

We had a great time at this fire. My wife read aloud to me some chapters from a book about people and life.

One of the very best things about the main part of the bookstore was that the racks had hollow insides. I could wriggle in there and creep along through the closeness, through the dim light from pegboard holes. I could go pretty much the length of the store from front to back. I could read in places where light fell through the cracks. That was my secret world, the world of story . . . the world of imagination.

There was one time, though, when my toes were sticking out beneath the edge of a rack. Maybe I put them there deliberately, my bare, dust-black toes. Maybe my six-year-old self knew that there were some teenage girls browsing along through the magazines. Maybe I knew they needed a good scream, because it was October, like it is now. And dark October is the time to be alive; it’s the gateway to Christmas. And it isn’t Christmas without a book.

 

 

 

 

 

Various Ramblings on a September Night

As I understand it, tonight is the official Harvest Moon — the full moon closest to the equinox and the beginning of fall. It will be in the sky all night, from around sunset to around sunrise, doing everything a full moon should do. I saw it earlier, white and round and bright.

I’m going to throw pictures from two different occasions at you — maybe three — interspersed with various thoughts I’ve been writing down and saving up. So this post will be somewhat like what would happen if you visited me on an autumn night, and we pulled our chairs up to the fire.

Bridgewater BookFest, Bridgewater, PA, September  14, 2013. Nearly 40 authors gathered in the huge Authors' Tent, signing books and spending a happy day hanging out with a book-loving public. Many thanks to the organizers and all who took part or stopped by!

Bridgewater BookFest, Bridgewater, PA, September 14, 2013. Nearly 40 authors gathered in the huge Authors’ Tent, signing books and spending a happy day hanging out with a book-loving public. Many thanks to the organizers and all who were there!

Entirely new subject — I warned you this was going to be all over the place! — this week, one of my creative writing students, a high-schooler, wrote:

“Imagination is the noise of race cars in an empty room.”

Isn’t that great?

Niagara Falls, September 8, 2013. My first time to go there. Really impressive! We stopped there on our way back from a wedding in Rochester, New York.

Niagara Falls, September 8, 2013. My first time to go there. Really impressive! We stopped there on our way back from a wedding in Rochester, New York.

This is absolutely true: I met a person recently who lives on Windy Ghoul Lane. That’s an honest-to-goodness street name in this area: Windy Ghoul Lane. Wouldn’t you love to have that address? I would! I only saw it written; I didn’t hear it pronounced. I don’t know if it’s windy as in “the wind that blows” or windy as in “twisty, a winding lane.” In either case, it’s a road with “ghoul” in its name. It’s a Hallowe’en address, and people get to live there year-’round! (This joins the ranks of fantastic western Pennsylvania road and street names, which include Elfinwild Road and Oberon Drive. Out here, people don’t waste the opportunity to name a street something good. I never knew it was possible to have so much civic fun, having grown up among streets named after trees and Presidents and the occasional Native American people.)

The gargoyles go to Bridgewater BookFest. They were quite a hit with the crowds!

The gargoyles go to Bridgewater BookFest. They were quite a hit with the crowds!

I observed something interesting about second languages this week. Julie and I both have a second language that we used for many years, to the point that we dreamed in them and often thought in them. Occasionally even now, the Japanese word for a thing or a situation or a social relationship will pop into my head and out of my mouth before the English. I finally noticed a pattern of when it’s most likely to happen. It’s when I’m focused on something, such as doing work on my computer, and I speak in response to something outside my area of concentration. For example, I was working on student papers the other day, and Julie was nearby, and I sneezed. Immediately and unconsciously, I said, “Shitsurei,” the Japanese equivalent of “Excuse me” in that context. At another time on another day, I was similarly concentrating, and Julie thanked me for something, and I said, “Iie!” (“Not at all!”). We conferred about this phenomenon, and Julie agrees that that’s the way her Russian and Ukrainian seem to emerge, too. There’s something about that buffering — that distance of having to respond when you’re not fully present, mentally — that tends to throw the switch of the secondary language. Interesting!

Niagara Falls

Niagara Falls

I read an intriguing article today. It claimed that the #1 thing that draws readers to a fiction writer’s web site is when the writer offers exclusive short fiction there related to his/her own published work — for instance, spinoff stories . . . prequels . . . stories about minor characters in a novel who become, in the short pieces, the main characters, with stories of their own. The author might write a follow-up to a book s/he has out there — what became of the characters twenty years later? Or something set earlier: how did the villain become the villain? Or what happened to the characters between Books 2 and 3 of the series?

Giving away candy definitely helped to attract people, too. And so did those wonderful illustrations by Emily Fiegenschuh for "The Star Shard" in CRICKET! And that's the earliest I've ever carved a jack-o'-lantern.

Giving away candy definitely helped to attract people, too. And so did those wonderful illustrations by Emily Fiegenschuh for “The Star Shard” in CRICKET! And that’s the earliest I’ve ever carved a jack-o’-lantern.

So let’s take an informal poll here. I’d love to hear comments from you, Friends of the Blog. If I were going to try writing a spinoff story for exclusive publication here on my web site (I’d be sure to notify you through the blog), what would you most like to see? [I’m not promising anything yet — just speaking hypothetically here, as we warm our feet and the logs settle with a flurry of sparks in our imaginary fire.]

 

Atop the American Falls at Niagara.

Atop the American Falls at Niagara.

Think it over. There are almost endless possibilities. A story about Cawdor as a young werewolf . . . a tale of how Wiltwain came to join up with Master Rombol . . . an account of the job Conlin did just before the one that brought him to that little Illinois town that’s not on any map . . . We’re just talking here, but what would you like to see if I were to attempt something like this?

This is a model I built of the balloon-ship APOLLYON for THE FIRES OF THE DEEP. I had fun that summer, building models to put off the actual hard work of writing. Heh! This was the second one I made -- to scale, according to how the ship is described in the book. I went to a craft store, bought balsa wood, measured it, etc. Since most of the book takes place aboard, I wanted to know, for example, what a character standing on the war deck could see. Could s/he see the bow? You get the idea. I started this one in Illinois and finished it in Niigata.

This is a model I built of the balloon-ship APOLLYON for THE FIRES OF THE DEEP. I had fun that summer, building models to put off the actual hard work of writing. Heh! This was the second one I made — to scale, according to how the ship is described in the book. I went to a craft store, bought balsa wood, measured it, etc. Since most of the book takes place aboard, I wanted to know, for example, what a character standing on the war deck could see. Could s/he see the bow? You get the idea. I started this one in Illinois and finished it in Niigata.

So, at Niagara Falls, we also walked across the bridge into Canada and saw the falls from that side. The view is better from there; but on the American side, you can get very close and personal with the falls on a walking tour called “Cave of the Winds.” (Disclaimer signs announce that there is no actual cave.) You are provided with a raincoat, because you can walk right up to where the falls is falling on you:

The Hurricane Deck at the American Falls.

The Hurricane Deck at the American Falls.

On the Hurricane Deck, a spindly wooden contraption built on the lap of the American Falls, the spray blasts over you. You venture forward, water pummeling your chest, your shoulders, your head. All around you is whiteness. You can only open one eye at a time, and then only briefly. But you’re in the parlor of an immemorial Presence, so you press all the way into the corner of the platform, close enough to thrust your arms into the forge where thunder is folded and hammered out. You tip your face upward, not caring how much water is sluicing down your collar, and you look straight into its white eyes, this mighty Thing that was equally roaring centuries and centuries ago. The fury is breaking around you; the Falls knows your shape, and you know its vastness.

The Hurricane Deck

The Hurricane Deck

Quite a place, Niagara Falls.

The American Falls

The American Falls

There must be gold at Niagara Falls, because rainbows end right there. You can see where they end. The Maid of the Mist churns right through their feet!

Horseshoe Falls, Canada

Horseshoe Falls, Canada

Boat pilots there know their stuff.

Horseshoe Falls, and God's bow

Horseshoe Falls, and God’s bow

 

Horseshoe Falls (the Canadian side)

Horseshoe Falls (the Canadian side)

"I do set My bow in the heavens . . ."

“I do set My bow in the heavens . . .”

Penultimate photo of this post:

Bridgewater BookFest, 9/14/2013

Bridgewater BookFest, 9/14/2013

And finally, one of the very best photos from our wedding day, taken by the amazing Marti Aiken:

We were only crossing the tracks to get back from a location, not having a session there. It poured rain in the brief interval between the wedding and the reception, when we were scrambling around taking pictures. This is one of our favorites.

We were only crossing the tracks to get back from a location, not having a session there. It poured rain in the brief interval between the wedding and the reception, when we were scrambling around taking pictures. This is one of our favorites.

Happy Harvest Moon to all!

 

 

 

The Back Room

I’ve been meaning for a long time to write about the back room of our family’s bookstore, The Book Center (1970?-1984). I am uncertain about the exact starting date because this location known to those who remember the store at all was actually its second location. The Book Center began in (I think) 1967 about a block east of the Square on Main Cross Street. After one, two, or three years, it moved to the familiar address, 212 West Market Street, between Eddy’s Studio and the CIPS building, in the same block as the old public library.

The Book Center, May 1970.

The Book Center, May 1970.

Describing the entire store would be too much for a single blog post, but I’ll try to convey something of that magical headquarters that was its back room, my family’s in-town base, where friends and I spent much of our childhood.

The Book Center in 1979

First, there was a battered wooden desk, positioned to command a view up the center aisle of the main store, clear to the front door. This was helpful to my parents: whichever of them wasn’t up at the counter could work at the desk and have a pretty good idea of when extra help might be needed in front. This desk looked as if it had been through a war. First, it was nicked and hacked, as with the sawings of knives and the blows of hatchets. One couldn’t write on a piece of paper on its surface, because the pen would sink into a gouge, piercing a hole in the page. Fortunately, there were clever trays that slid out above the top drawer on each side, just for writing, and these (as I remember) were smooth. Second, the desk was absolutely covered in graffiti, words and numbers laid one atop another, garbled, running together. The desk must have been in the room when my parents rented the building. Because it was in such a condition, we kids were allowed to add to the graffiti at will, and we did. I can still remember the squeak of those black felt-tip markers as we wrote out the names of characters from Watership Down and The Lord of the Rings. I read much of both those works sitting at that desk myself — and countless other books and comics.

On Friday evenings, our bookstore didn’t close at the usual 5:00 p.m. It stayed open till 8:30, and those were wondrous times! It would grow dark outside the windows, but the carnival of books went on in the warm glow of bright electric lighting (the back room itself was much dimmer than the main store — a kind of gentle, dusty cave it was). On Friday nights, we would have to eat supper at the store, and that was delightful! Often we’d pick up a pizza from Johnny’s, and my parents would take turns coming into the back room to eat. Yes — there at the battered desk. I loved being at the store into the night. 8:30 once seemed so late and wild . . .

Just in front of the desk stood a rolling metal cart with a percolator coffee pot. Dad would fill the system with grounds and water before leaving at night, so that when he arrived in the morning, he had only to turn it on. I’m sure the coffee wasn’t good, but it was abundant, and that was what mattered. Coffee was the default drink in our household. It was available throughout the day. You could always count on it.

Between that cart and the open doorway leading into the store were some shelves. I think they held things like rolls of cash-register paper, but it has faded into the mist of memory now. There was a pencil-sharpener mounted to the right of the door. Also in that area, we had a mop bucket with wringers, a wet mop, and an always-dry dust mop.

Then there was the ancient metal sink against the east wall, with a cloudy mirror hanging above it. What I most recall about the sink is that my parents, cleaning up after lunch, washed some seeds from an orange or tangerine down the drain. After a while, tiny green shoots poked up through the holes in the drain cover. The regular flow of water never daunted them. My dad, always full of curiosity and reverence for life, carefully extracted the plants with roots intact and replanted them in a flower pot. I remember that they thrived in the pot, and I think they were eventually transferred to the ground at home. I’m not sure what became of them after that. I doubt the Illinois climate was too hospitable.

Beside the sink — ah! Here the real wonder begins! — there was a table, about 8 feet by 6 feet in my memory. I’m guessing it was actually smaller than that. Things seem much larger to us as children, and adults seem older. Made of blonde-colored wood, it was a relic of the sewing (dressmaker’s?) shop that had once occupied the building. I think the table had housed a sewing machine, though the machine had been removed. What remained was an honest-to-goodness secret compartment in the table! You could stick your hand in through a complicated opening underneath and push open a panel in the tabletop, and you had a fantastic compartment for storing secret treasures. For a time in grade school, my friend John T. often hung out with me after school, and we would draw maps every day — maps of lost islands, lost solar systems, and cutaway diagrams of cave systems. We stored these in the compartment, and by the end of our adventures together, we had quite a stack of them. I think Mr. Brown Snowflake may have been in on that sometimes, too.

In the gap of about three or four feet between this table and the east wall there was a huge, haphazard mountain of empty cardboard boxes. Again, I’m sure my memory is making it bigger than it ever was. But for us kids, it was fascinating. It was a mountain range honeycombed with tunnels. We burrowed through it, descending to the depths under the table, climbing hidden stairways unknown to mortals. My parents inventoried books on the blonde table, and I think all empty boxes got piled in the mountain — so it was always changing in height and shape, like the mountains of bales in the hayloft at home. But that’s another story.

Oh — there was an antiquated cash register back there, too, which took two burly men to lift. It was from the pre-electric era. You depressed metal lever-keys and turned the crank handle. Numbers in the glass window at the top would spin to the appropriate digits. At the end, the cash drawer would spring open with the loud DING! of an internal bell. Woe to you if you were in the way!

To the left of the inventory table rested an enormous iron fan from a machine shop. Frustrated by some hot summer, Dad bought it from a guy somewhere in town — I remember going with him. This propeller was designed to go in a factory window, I think. It was about as tall as an adult’s shoulder. Dad built a wooden framework for it to prevent accidents, which would have been gruesome. Dad’s idea was that this fan, positioned in the back room, would be able to cool the whole store. That was probably true. But when it roared to life, book covers flapped, cards and magazines flew off the racks, counters shook, and dust-cones swirled from all the long-forgotten nooks. I don’t recall that we ever used the fan much.

I’m unclear on what filled the southeast corner. Some big, heavy piece of furniture, I think, not completely assembled, and with mirrors — and with more things stacked on it — but I couldn’t swear to it now. Somewhere back there, I think a giant old radiator hissed and warmed the room. Next came a cabinet with many drawers.

Just inside the back door, which led outside, was a square wooden platform. The back parking lot, you see, was some eight inches higher than the floors of the store; so there was this platform, with a ramp made of three parallel planks. Deliverymen could smoothly wheel dollies laden with book-boxes down the ramp to the floor. All this — platform, ramp, and floor — was painted a dusky blue-gray, and covered with decades of dust. I always went barefoot then, and my feet were tough as a hobbit’s and permanently black. I was a fantasy creature, the wild boy of the bookstore, who climbed through the insides of racks and frightened customers. You think I’m kidding.

One such deliveryman who made use of the ramp was the Pepsi man. Our store didn’t have a vending machine. Nope, the Pepsi was for our own use. Dad maintained a standing order, and every other week or so, the man would bring a wooden case or two of Pepsi in glass bottles. A few of these at a time would go straight into the refrigerator beside the door.

Near one edge of that platform, there was a broken board. No one ever fixed it. It slanted down, moored only at one end, leaving a space about four inches wide and a foot long. The fissure seemed to lead to much greater depths than the floor beneath the platform. We used to drop pebbles and other small objects down through the gap and speculate as to where they were going. I think we looked for them in the basement, but I don’t remember the results of our experiments.

The southwest corner is also nebulous now in the shadows of the past. But all along the west wall was a monstrous display case of wood and glass. This was buried under more empty boxes, wire racks, scales from a former candy store, and an assortment of other paraphernalia. When we kids would climb around up there, we always had the awareness that there was glass under our feet — glass surfaces enclosing dead spaces of air. If we should put weight on the glass, it would very likely crack and shatter and cause us to plummet to our deaths among lethal shards — so we took care. This case figured into Dragonfly — it’s there, during the fight scene in the Glassworks.

One more feature of that place was the unusual restroom. In the northwest corner, a toilet and sink were closed off from the rest of the room by a wooden partition wall that didn’t reach the ceiling — it was only about eight feet high, and the ceiling itself soared high above that, with a central skylight. You could go in and close the door, but you never felt you were really in a separate place from anyone who happened to be in the back room.

There was a scattering of folding chairs, metal frames with white vinyl-covered cushioned seats.

And that’s about all I remember of the place. Gray light filtered through the dingy skylight in the daytime. Affable shadows crowded close on Friday nights. The air was always murky in a good, comfortable way. Out-of-town relatives who arrived during business hours would find us there, so I recall many happy reunions around the desk. Most of all, I remember family, friends, and books. That wondrous room, I think, gave birth to many stories.

Photo by Eddy Neikes behind the bookstore

Photo by Eddy Neikes behind the bookstore

I know a story . . .

I know a story . . .

 

Once More, With Feeling

I’m now through Chapter 2 of the revision of Signs and Shadows. Double-spaced, that would be about 44 pages, I guess. It’s moving a little quicker now that I’m out of those first scenes, now that we’re deeper into the action. I know it’s a good sign when I reach parts where my eyes glide along the page and I’m not conscious of snags I need to fix.

The earliest chapters are the hardest to revise for two reasons: 1.) As we all know, the opening pages — the opening lines — of a book are absolutely crucial. They have to be as near-perfect as the writer can get them, because it’s in those first few seconds of the reading experience that browsers in a store — and long before them, editors at publishing houses — will decide to throw down the book and move on with life. You get about a paragraph to hook people. 2.) Those first pages of the book are farthest from the ending: in real time, in unfolding story, and in writing experience. If, by the end of the book, the writer has sort of figured things out, then it’s the beginning where he’s fumbling around. I didn’t know my characters then. I didn’t know where the adventure would take me. In those early pages, I have really been working on first impressions. How shall I introduce characters? What information shall I disclose — and how, and when? In what order? There’s a lot of weeding-out that takes place. I’m putting bushels of garbage out at the curb. But I’m also adding a lot of shading and highlighting. Because I know what happens later, I now have the grace to be able to set those things up. Fun, fun, fun!

This is, in general, SO much more fun than that journey into the blank unknown that is the first draft. (That can be exhilarating in its possibility — the book can go absolutely ANYwhere, and be anything . . . but with that freedom comes the weight of responsibility. And there’s the constant figuring out. Am I going somewhere, or walking in circles?)

Here’s the nugget I really wanted to impart, an insight I had tonight, partly because of a movie we were watching about getting ready for a musical play. The joy of the revision is this: it’s very much like rehearsing for a play.

The story is complete. Revision is going over this complete story to make it scintillate. You want to communicate the story that exists to the audience, in all its fulness and grandeur. Nuances make all the difference. Rehearsal takes ink on paper and turns it into a participatory experience for the audience. How is the timing going to work here? What will trigger the nostalgia that makes this the reader’s own? What scents shall we bring in from the olfactory department? How is this person going to deliver this line? No, no, no — do it again. Once more, with feeling. Work with me. Move this flat back three feet. More powder on that nose. Get more light right here. I want it here!

I’ve got to tell you a high-school band story. As the new school year became imminent, our band would come out to the football field for three days at the end of August — three grueling days that left us aching and exhausted and ecstatic. It was hotter than blue blazes. The football team would be practicing in the distance, crashing into dummies, doing their footwork, etc. We’d learn the spectacular half-time show, all carefully choreographed for us on paper by an expert at a big university. “Spanish Opener” . . . “Spirit of the Bull” . . . lots of brass and drums and flair. (I really felt sorry for woodwind players during marching season. That was not their arena. But playing brass in the fall — Carpe diem!) Our places were marked by our tromping feet in the grass. Whole paths on the field were rubbed bare by our dogged passage. Our intervals were measured out by the director’s stick — a long 2×2 with rings of tape around it, just the right distances from one person to the next — put this tape mark at your hip bone. Find it!

In the dizzying heat, one arc of players would glide forward, feet rising and falling, mouthpieces grinding against embouchures, little flip-folders of music bouncing at every stride. Thirty-degree rotation. Shoulders back, but relaxed. Bell of the horn up, up, UP! Stand for the solo. Burst for a count of ten. Mark time. Sweat trickling. Grass shimmering. Crop fields to the horizon, with the high school at the center, the center of the Earth. Sun coursing through the sky, morning to afternoon.

The director’s piercing whistle. Mr. Smith in the bleachers, all in black, long coat and band hat, every detail like Harry Dingle, the band director in Funky Winkerbean. His voice crackling over his megaphone: “Find it, man, find it!” Don’t just go through the motions, Mr. Smith taught us. Every single time we do this, do it better than before. That’s the point of doing it fifty times today — to make it fifty times better. Tomorrow, we’ll do it hundred more.

That’s one of the most important bits of wisdom I brought with me out of high school and into life. Thank you, Mr. Smith. Do it better every time. There’s a Joan Baez song, “God Is God,” that contains roughly the same message: Every day we’re here is another chance to get it right. Keep working. Break new ground.

So that’s what revision is. You’ve got these characters you know and love. On every page, in every paragraph, you’re striving to coach them, to help them get it right.

Okay, guys. Once more, with feeling! Excelsior!

The Joy of Bibliomania

I decided that my boxes of books and the wondrous new floor-to-ceiling, wall-to-wall bookshelves in our place had all been neglected long enough. So today I went carefully through the cardboard boxes remaining in the garage (where I hastily stacked many during the move up here from McKees Rocks), and I made sure I had located all my books. Previously, I’d been roughly placing books — that is, throwing them onto the bookshelves willy-nilly to make room for the business of life.

Well, today, I decided, was the day to organize the library. Julie’s classes start tomorrow, so she had a lot of preparatory work to do at her colleges. While she was out, I knew I could hurl the living room into chaos without being too disruptive. So here’s how I went about the herculean labor:

First, I went methodically through the shelves and pulled out any book related in any way to Tolkien — books by him, about him, about Middle-earth, etc. These, I placed along the bottom shelf. It’s a fairly impressive collection, but it’s by no means complete yet. I can think of several of my Tolkien books that are still buried in storage in Illinois. Most notably, Pictures by Tolkien and an amazing set of maps are still missing. Hmmf. Someday!

Next, I made a pass through and pulled out any homemade books — self-bound books of my own and my parents’ writing, and bound copies of friends’ work. I have special cabinets for saving these.

Our library at home

Our library at home

At this point, I realized that I needed to do an exhaustive organization. So, being pretty familiar with what was there, I made myself a set of twelve little slips of paper, each bearing the name of a category or classification. I positioned these around the room: several along the top of the buffet, one each on the two easy chairs, two on the sofa, and three on the floor. The classifications were (in no particular order):

1. fantasy

2. gothic and horror

3. Lovecraft

4. classical mythology

5. on writing

6. Japan

7. poetry

8. ecclesiastical (including Bibles)

9. folklore

10. Fortean studies

11. monster panic (Is this Japanese? This is the genre that, in Japan, means an animal or monster rampaging.)

12. literature

The two largest categories by far were fantasy and horror, followed closely by literature. Note: the Tolkien section was already in place, and is about as large as the literature collection.

It's wonderful having them all together!

It’s wonderful having them all together!

Julie’s books were already set up at one end of the shelves, so I wanted to work carefully and logically around them. I decided my “ecclesiastical” section should adjoin her library, both for a smooth transition and because there will likely be a lot of mutual use there — she may need to access my hymnals, etc.

Because the shelves are constructed to accommodate books of varying heights, I arranged the sections somewhat vertically. That is to say, some shelves allow for taller books, some only for shorter. And in any given category, there may be mass-market paperbacks (the little ones), trade paperbacks (the bigger ones), hardbacks, and even magazine-sized softcovers; so I couldn’t always arrange a section on the same shelf, end-to-end.

I put literature at the center of the wall. Tolkien is the base. Japan, books on writing, and poetry are high and to the right. Folklore is above. Lovecraft is high and to the left. Monster panic is hard to the left. Julie’s library is to the right and lower right. Fantasy and horror are the bridges: they blend Lovecraft and monsters into literature, and blend onward from there into the Church and into Julie. Fantasy forms a kind of arch over literature. I placed the more literary fantasies closer to straight-up literature. I shelved myself between Lord Dunsany and a hardback Cricket collection.

100_1517I considered the need for a section called either “nostalgia” or “adventure” — where does Jaws go? It’s too much a part of me to rest easily in “monster panic.” Where do the Planet of the Apes books go? I decided they were all part of fantasy in the broader sense. Annapurna is literature.

When she got home, Julie admired the library with me. To quote Field of Dreams:

Annie: Nice baseball field, Ray.

Ray: Kind of purty, isn’t it?